Colored Substrate
White Ink White Ink

Feather

Any Colored Substrate

White Ink Only

Feather Sample 1

The Feather bookmark demonstrates the power of white ink printing on colored substrates. HP Indigo's ElectroInk White enables stunning contrast and opacity where traditional CMYK would be invisible.

Credit: Black Birch Design Studio

About White Ink

White ink enables printing on colored and dark substrates where traditional CMYK would be invisible or muted. HP Indigo's ElectroInk White builds full opacity in a single trip through the press, creating stunning contrast against colored papers.

Unlike screen printing white, HP Indigo white ink can be applied with photographic precision - no minimum line weights, no registration issues, and full variable data capability.

White ink is made of titanium dioxide, the same bright, durable pigment you'll find in paint, cosmetics and sunscreen. On the HP Indigo, gripper blades hold the sheet on the impression drum while ink is transferred, so the press can lay down layer after layer before letting go. One layer of white won't look truly white, so we hit HP White 1 four times for the crisp, opaque finish you see on this feather.

Why White Ink?

If all you want is white, you might ask why we don't print on white paper and let the sheet do the work. Because this feather is really about the paper: white ink turns a colored or dark stock into part of the design.

We reach for it for three reasons. First, the stock becomes a color. Wherever the ink isn't, the paper's own hue fills in, in shades no ink mix can reach and with an evenness printed color can't match. Second, it opens up darker stocks with a better feel in the hand, textures that once meant silkscreen or an expensive offset run and are now within budget. Third, it catches the light. The stacked layers of white carry a sheen against the matte paper, and transparent foil can push that into a true gloss-on-matte effect.

It isn't a fit for every sheet. The Indigo doesn't run on just any paper: the stock needs to be Indigo-certified or primed so the ink adheres, and priming by hand isn't a guaranteed success. If you have your heart set on Colorplan, check whether your color comes in an Indigo-certified "i-Tone" version. Whatever the stock, ask us before you buy it. We've seen just about every issue imaginable, and we're happy to give our opinion.

Best Practices

Videos

File Setup

Adobe Illustrator

White Ink Spot Color Setup

Creating HP White 1 spot color in Adobe Illustrator

Step 1 of 8
Illustrator Swatches Panel

Open the Swatches Panel

In Adobe Illustrator, go to Window > Swatches to open the Swatches panel. This is where you'll create the HP White 1 spot color.

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You can also use the keyboard shortcut F5 to toggle the Swatches panel.

Selection of White Ink Artwork

Select White Ink Artwork

Select all the artwork elements that should print with white ink. These are typically elements designed to appear on colored or dark substrates.

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Use Select > Same > Fill Color to quickly select all elements with the same fill.

New Swatch Dialog

Create New Spot Color Swatch

Click the Swatches panel menu and select New Swatch. In the dialog:

  • Swatch Name: HP White 1
  • Color Type: Spot Color
  • Color Mode: CMYK
  • Set Cyan to 100% (for visibility)
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Critical: The name must be exactly HP White 1 with correct capitalization and spacing for the press to recognize it.

Swatches Panel with HP White 1

Verify Swatch Created

Your Swatches panel should now show the HP White 1 spot color swatch. It will appear with a white triangle in the corner indicating it's a spot color.

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The spot color indicator (white triangle) confirms the color will output as a separate ink channel.

Applying Spot Color

Apply Spot Color to Artwork

With your white ink artwork selected, click the HP White 1 swatch to apply it as the fill color. The artwork will appear cyan (the preview color) but will print as white ink.

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The cyan preview is just for visibility - the actual output will be white ink on press.

Windows Menu - Attributes

Open the Attributes Panel

With your HP White 1 artwork still selected, go to Window > Attributes to open the Attributes panel. This panel controls overprint settings.

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Important: The next step is critical - white ink must be set to overprint for proper layering on press.

Attributes Panel - Overprint Fill

Enable Overprint Fill

In the Attributes panel, check the Overprint Fill checkbox. This ensures the white ink prints on top of other layers rather than knocking them out.

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Critical: White ink must be set to overprint. Without this setting, white ink areas will knock out underlying artwork, causing registration issues and gaps.

Separations Preview

Verify in Separations Preview

Go to Window > Separations Preview and toggle the visibility of each separation. You should see:

  • CMYK channels: Empty or minimal content
  • HP White 1: Your white ink artwork (with overprint)
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If HP White 1 doesn't appear as a separate channel, the spot color wasn't created correctly. Go back to Step 3.