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First Steps: Module 3

Overprint

Mastering color layering for specialty printing

What is Overprint?

Overprint is a print setting that tells overlapping colors to print on top of each other, rather than "knocking out" the color beneath. Think of it as the difference between cutting a hole in paper versus painting over it.

By default, when you place one colored object over another in your design software, the top object removes (or "knocks out") whatever is beneath it. This is usually what you want, but in certain situations, overprinting produces better results.

Logo Top element prints last
Color Flood Cyan background layer
Substrate Paper foundation

Hover to see layers separate

OVERPRINT MODE Colors blend where they overlap

Why Overprint Matters

Understanding when to use overprint can prevent costly reprints and ensure your specialty ink jobs come out perfectly.

Registration Issues

Small black text on colored backgrounds can show white halos if there's any shift during printing. Overprinting black eliminates this risk entirely.

Fine Details

Thin lines, small type, and intricate elements benefit from overprint. Knockout gaps on tiny details are more noticeable than on large shapes.

Understanding Layer Order

Here's the key concept: In your design file, specialty inks go on top of your artwork and are set to overprint. But when printed, the press applies them underneath your CMYK colors.

In Your File

HP White 1 (on top, set to overprint)
CMYK Artwork

How It Prints

CMYK Artwork
HP White 1
Substrate (paper)

Layer Relayering: The Overprint Advantage

Here's a powerful capability that overprint enables: when specialty inks are set to overprint, the press operator can print them above OR below your CMYK artwork at run time, without requiring a new file.

Option A

Metallic BELOW CMYK

CMYK Artwork
HP Metallic
Substrate

Metallic prints first, CMYK on top. Creates muted shimmer that shows through transparent areas of your CMYK artwork.

Option B

Metallic ABOVE CMYK

HP Metallic
CMYK Artwork
Substrate

CMYK prints first, metallic on top. Creates bold metallic highlights that sit prominently over your artwork.

Why This Matters

Without overprint, the layer order is fixed because knockouts create dependencies between layers. With overprint, you have flexibility to adjust the print sequence on press—perfect for testing different effects or accommodating production requirements.

When to Use Overprint

Use this guide to determine when overprint is the right choice for your project.

Use Overprint

  • Black text or small black elements on colored backgrounds
  • All HP specialty inks (HP White 1, HP Metallic, HP Foil, HP Gloss)
  • Fine lines and intricate details that touch color
  • When you want colors to mix (intentional effect)

Don't Use Overprint

  • White objects (they will disappear!)
  • Light colors over dark backgrounds
  • Full-color photographs or images
  • Large solid color areas meant to replace backgrounds

Never Overprint White!

White objects set to overprint will completely disappear in print. White "prints" by showing the paper through, so overprinting it means nothing shows.

Always Preview First

Before sending to print, use View > Overprint Preview in Illustrator or InDesign to see exactly how your overprinted elements will appear.

Color Mixing When Overprinting

When colors overprint, they combine using subtractive color mixing. Understanding this helps you predict (and design for) the result.

C + Y
=
Green
M + Y
=
Orange/Red
C + M
=
Violet/Blue
K + Any
=
Stays Black
Ideal for text!

This is why black text overprints well on any background—black absorbs all light, so the underlying color doesn't change the appearance. Light colors on dark backgrounds will look muddy when overprinted.

Setting Up Overprint in Your Software

Choose your design application to see step-by-step instructions for applying overprint settings.

Adobe Illustrator

Setting Up Overprint in Illustrator

4 steps to proper overprint settings

Step 1 of 4
Screenshot: Selecting object in Illustrator

Select Your Object

Using the Selection Tool (V), click on the text or object that needs to overprint.

For specialty inks like HP White 1 or HP Metallic, select all elements that use that spot color.

Tip

Use Select > Same > Fill Color to quickly select all objects with the same spot color.

Screenshot: Window menu showing Attributes option

Open the Attributes Panel

Go to Window > Attributes to open the Attributes panel.

In newer versions of Illustrator, this is found under Window > Output > Attributes.

Tip

Dock this panel in your workspace if you work with overprints frequently.

Screenshot: Attributes panel with Overprint Fill checkbox

Enable Overprint Settings

With your object selected, check "Overprint Fill" in the Attributes panel.

If your object has a stroke, also check "Overprint Stroke".

Note

Both options must be checked for objects that have both a fill and stroke. Missing one can cause unexpected results.

Screenshot: View menu with Overprint Preview enabled

Verify with Overprint Preview

Go to View > Overprint Preview (or press Ctrl+Shift+Alt+Y / Cmd+Shift+Option+Y).

This shows exactly how your design will print with overprint settings applied.

Important

If white objects disappear in Overprint Preview, you've accidentally set them to overprint. Uncheck the overprint options for those objects.

Quick Reference

Attributes Panel
Window > Attributes
Overprint Preview
View > Overprint Preview
Select Same Color
Select > Same > Fill Color
Remember

Always convert fonts to outlines before sending to print: Type > Create Outlines

Adobe InDesign

Setting Up Overprint in InDesign

4 steps to proper overprint settings

Step 1 of 4
Screenshot: Selecting text frame in InDesign

Select Your Object or Text Frame

Using the Selection Tool (V), click on the text frame or object that needs to overprint.

For text, you can select the entire frame or use the Type Tool to select specific text within the frame.

Tip

To select all objects with a specific spot color, use Edit > Find/Change with the Object tab.

Screenshot: Window menu showing Attributes

Open the Attributes Panel

Go to Window > Output > Attributes to open the Attributes panel.

The Attributes panel in InDesign works the same way as in Illustrator.

Tip

The keyboard shortcut varies by version. Check the Window menu for your specific shortcut.

Screenshot: Attributes panel with Overprint options

Enable Overprint Settings

Check "Overprint Fill" for the fill color.

If your object has a stroke, check "Overprint Stroke" as well.

Note

For text, you may need to apply overprint to both the text frame and the text formatting. Check both!

Screenshot: View menu with Overprint Preview

Verify with Overprint Preview

Go to View > Overprint Preview to see how your document will print.

For even more detail, use Window > Output > Separations Preview to see individual ink plates.

Tip

Run Window > Output > Preflight before exporting to catch any potential issues.

Quick Reference

Attributes Panel
Window > Output > Attributes
Overprint Preview
View > Overprint Preview
Separations Preview
Window > Output > Separations Preview
InDesign Advantage

InDesign's Preflight feature can automatically check for overprint issues before you export your PDF.

Adobe Photoshop

Working with Overprint in Photoshop

3 steps for specialty ink workflows

Step 1 of 3
Diagram: Photoshop vs Illustrator overprint handling

Understand Photoshop's Limitations

Unlike Illustrator and InDesign, Photoshop doesn't have native overprint controls for objects and layers.

When working with specialty inks in Photoshop, you'll need to save your specialty ink elements as separate files.

Important

For complex overprint workflows, consider using Illustrator or InDesign instead, and place your Photoshop images into those programs.

Screenshot: Saving separate CMYK and spot color files

Create Separate Files

Save your CMYK artwork as one file and your specialty ink elements (foil, white, metallic) as separate files.

Name files clearly: design_CMYK.psd and design_FOIL.psd or similar.

Tip

Use spot channels in Photoshop for specialty colors. Go to Window > Channels and create a new spot channel.

Screenshot: Files ready for print provider

Deliver Files to Print Provider

Provide both your CMYK file and your specialty ink file(s) to the print provider.

Include clear instructions about which elements should overprint and the layering order.

Alternative

For better control, place your Photoshop files into Illustrator or InDesign where you can apply overprint settings directly.

Quick Reference

Spot Channels
Window > Channels
New Spot Channel
Panel menu > New Spot Channel
DCS 2.0 Format
Preserves spot colors on export
Best Practice

For projects with specialty inks, use Illustrator or InDesign as your main layout tool and place Photoshop images into those documents.